El Pais, February 5, 2005. "The Black Box of Digital Art," by Roberta Bosco. (original Spanish version)

Discover Magazine, February 2005. "ArtBots: The Robot Talent Show," by Karen Wright.

Columbia Spectator, September 20, 2004. "Collision Of Art and Tripped-Out Technies: Harlem Hosts Wacky Intersection Between Technology and Art," by Jennifer Preissel.

New York Times, March 31, 2004. "Internet Art Survives, But the Boom Is Over," by Ben Sisario.

Columbia Record, September 12, 2003. "Mark Tribe Named Director of the School of the Arts Digital Media Center," by Kristen Sterling.

Wired Magazine, May 12, 2003. "To Err Is Creative in Net Art," by Gabe Friedman.

"On Revelation 2.0," Deeplinking.net, March 14, 2003.

New York Times, September 30, 2002. "Digital Artworks That Play Against Expectations," by Matthew Mirapaul.

The Chronicle of Higher Education Daily News, May 28, 2002. "Museums Seek Methods for Preserving Digital Art," by Scott Carlson.

Wired Magazine, February 27, 2002. "Net Gambit: See Art, Pay Amnesty," by Reena Jana.

Los Angeles Times, December 16, 2001. "A Human Dimension to New Media," by Scarlet Cheng.

I.D. Magazine, June 2001. "starrynight," by Austin Bunn.

Frankfurter Allgemeine Zeitung, September 2000. "The Stargazer of Silicon Alley: New York Media and Net Art Archive Rhizome Undertakes Pioneering Work," by Barbara Basting.

BBCi Arts. "Network artists - Matt Fuller interviews Mark Tribe," by Matt Fuller.

The Village Voice, July 7, 1999. "Artistic License: Creating a Space for Net Art," by Jeff Howe.

Silicon Alley Reporter, 1997. "Rhizome Internet," by Lila Sneed.

Newsweek: October 31, 1994. "Sculpture Made to Border," by Peter Plagens.

San Diego Union-Tribune, September 6, 1994. "Parked cars can produce a lot of art," by Lillian Salazar Leopold.